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You've reached the right place for high qualilty and reasonably priced P. A. Rentals in Greater Atlanta. We've provided sound systems for the Peachtree Road Race for several years, numerous bands, and countless corporate functions. We deliver, set up, breakdown, and retrieve the sound system for you. We also have professional sound men (Full Sail University Sound Engineer on staff), if needed. We feature Alesis, Aphex, BBE, Behringer, E.V., Yamaha, Peavey, JBL/Urei, Mackie, PROCO, QSC, Sennheiser, Shure, and many others. Call for additional information. |
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Basic Public Address: A Professional Mixer, Amplifier, two Speakers Cabinets, 2-15" Woofers, Passive Crossovers and 2-Horns. Including up to 2 microphones, stands, and cables. This system will be delivered, set-up, sound checked, and picked up. For 3 hours a basic entry PA system begin at $250.00, except Saturday (beginning at $300). Call to receive a quote on middle and large systems.
A partial equipment rental list follows list. It is not yet complete, so if you don't see what you need give us a call or drop an email. We will be happy to assist your AV needs. |
Live Sound P. A. Mixers
Yamaha GF 16/12, 16 channel, 4 AFL Groups, Group Select Switches, 6 Aux Sends, Pre switches, Gain Control +10 dB to -34 dB, High Pass Filter Switch cuts below 80 Hz Slope 12 dB/octave, Peak Indicators, 3 band EQ (High 10 kHz Shelving, Mid 250 Hz Peaking, Low 100 Hz Shelving), Balance Control, Stereo Switch, PFL Switch and Channel Fader, Tape in Control, Phantom + V Switch, Meter Select Switch, C-R Monitor Level Control, Phones Level Jack.
Yamaha EM 2820 Powered Mixer, 8 Channel, Maximum Output Power 200 W + 200W @ 4 ohms). Line Out Master fader at nominal level and one CH fader at nominal level. MON Out Master fader at maximum level and all CH Monitor level controls at minimum level. MON Out Master fader at nominal level and on CH Monitor level control at nominal level. -93 dB (83 dB S/N) EFF Send Master level control. Send Master level control at nominal leve. Send level control at nominal level. Graphic EQ +/-12 dB maximum boost or cut in each of seven bands 125, 250, 500Hz, 1 k, 2 k, 4k, 8 kHz: peaking. Limiter Input overload: 15 dB Indicator LEDS. Power Red LED is lit when power is "On" Protection Red LED is lit when protection circuitry is activated Limiter Red LED is lit when limiter circuitry is activated. Protection Circuit. Power on mute 6 +/- 2 sec. Muting time DC sense DC +/- V Output shut off PC limiter less than 2 ohms @ Load impedance. Phantom Power +/-48 Vdc is applied to electrically balanced XLR inputs. Dimensions (W x H x D) 500 x 172x 550 mm (19-11/16" x 6-3/4" x 21- 5/8") Weight 19.5 kg (43 lbs).
Behringer Eurorack UB2442FX-PRO, Ultra Low-Noise Design 24-Input 4-Bus Mic/Line Mixer with Premium IMP Mic Preamplifiers and 24-Bit Multi-FX Processor. Australian TX 8000 8 Channel Line Mixer balanced XLR Mic/Dual RCA Line Inputs, Headphone, Tape, Balanced Level Outputs, Bass/ Treble Control Each Channel, Output VU LED Indication.
DJ Mixers
Behringer UB 502 One XLR input, 5 inputs total,-Input 2-Bus Mixer with XENYX Mic Preamp and British EQ.
Behringer VMX 1000, 7-channel ultra low-noise DJ mixer with state-of-the-art phono preamps, Intelligent dual auto-BPM counter, Super-smooth UltraGlide faders with up to 500,000 life cycles Awesome XPQ stereo surround effect VCA-controlled crossfader for utmost reliability and smooth audio performance, Adjustable crossfader curve for all mixing styles 3-band kill EQ (-32 dB) with EQ on/off switch on stereo channels, gain control and level meters, Monitor function with PFL/main balance control and split option, Auto-talkover function with separate depth and sensitivity control, Subwoofer output with adjustable crossover and level control for separate bass amplification, Balanced main and additional zone outputs 5 dual input stereo channels, 2 ULN microphone channels with “MIC ON” switch and effects send, Dedicated effects loop for connecting external devices (sampler, effects processor etc.), Phono inputs on channels 1 - 3 can be switched to line level, and Gold-plated RCA sockets for excellent audio quality.
Gemini P 727, 4 Stereo Channels, Cue Section, 2 Phono/Line Convertible, 6 Line, and 2 Mic Inputs, Both Mics have a Pan control High, Mid and Bass EQ controls for each channel Gain (0 to -40dB) per channel, Assignable and replaceable Cross Fader Loop Assignable Beat Indicators Send and Return, Frequency Response: 20Hz - 20KHz +/- 2dB, Distortion: 0.02%, S/N Ratio : better than 80dB, Talkover Attenuation: -16dB, Headphone Impedance: 16ohm, Power Source: 115/230V 50/60Hz 15W, Dimensions: 482 x 110 x 240mm.
Gemini MM 02, 7 line, 2 Mic, 2 convertible phono/line RCA inputs, Master, record, & zone RCA outputs. 1/4” balanced master outputs, 3 band rotary master EQ with cut feature, Push button mono control, Rotary gain channel control, XLR Mic input.
Gemini MM 03, 5 stereo channels, 8 line, 3 Mic, 2 convertible phono/line RCA inputs, Master, record, & zone RCA outputs, 1/4” balanced master outputs, Face: 3 band rotary EQ per channel with cut feature Removable, user replaceable Rail Glide cross fader Assignable cross fader Rotary gain channel control, Rotary master, zone, balance & cue volume controls, XLR-1/4" combo Mic input.
Gemini MM 3000, 4U 19" rack mounted club mixer, 5 Stereo Channels, 8 line, 3 Mic, 2 convertible, phono/line, RCA inputs, 3 band rotary line EQ control per channel with cut feature Fully removable, user replaceable Rail Glide crossfader, Assignable crossfader, Rotary gain control per channel, Dual display with bright LED, Push-button cueing with cue/PGM fader control, Rotary master, zone, balance & cue volume controls, Master, zone & record RCA outputs, Balanced master output, XLR-1/4" combo Mic input, 2 band rotary Mic EQ control with cut feature, Rotary Mic volume control Auto Talk-Over feature, Face plate located 1/4" headphone input.
Dual CD Players
Denon D 4500, Dual CD/MP3 Player Key adjust/master tempo (CD or MP3), MP3 hot starts and seamless looping capability, Cue stutter (CD or MP3), Auto BPM counter, Wider pitch ranges (CD ±24/50/100%), MP3 file system search and CD Text, 1000 memo points, Relay play with adjustable overlap, Pitch control: CD: ±4%, ±10%, ±16% (0.1% step); ±24%, ±50%, ±100% (1.0% step) MP3: ±4%, ±10%, ±16 (0.1% step).
Numark MP 300, Dual CD/MP3 Player Plays CD Audio and MP3 files from CD, CDR, and CDRW, CBR and VBR MP3 file playback with ID3, artist, album, file information, CD text display, compatible with most modern commercial CDs, 4 line LCD matrix display for multiple song listing, Rotary track selector for fast searching, 10/100+ seconds Anti-Shock™ buffer memory skip protection ±8/16% pitch control, Instant start, Seamless looping for Audio CD, 2 hot starts points per song, Illuminated drive trays, Auto close disc tray system, Sleep mode Power on play, program play, fader start, relay play, digital output (S/PDIF).
Numark CDN 88, Dual rack mountable CD player, Real time scratching, Built in Beatkeeper™ with auto-mixing and synchronization, Interactive DSP effects, reverse, ±6, 12, 25 and 100% pitch control, ±100% KEY LOCK with key control, 2 complete seamless loops with 3 hot stutter starts, Track sequence programming, Digital output, CDR compatible Fader start and relay, 48 seconds of buffer memory for Anti-Shock, All-rubber buttons, pitch lock; built-in beatkeeper with auto mixing; and onboard effects including reverse, flange, warp, phaze, ISO, and echo verb.
Numark CDN 36, Seamless looping with stuttering, Scratching, reverse, effects, Anti–Shock™ buffer memory, true buffered instant start, Interactive pitch/search wheel with finger grip, ±8/16% pitch, sleep mode, BPM counter, Light up play/cue buttons, High speed rotary track access with sequence programming, Transport bay illumination light, CDR compatible, Fader/remote start and relay, Digital output, power switch protector.
Numark CDN 33, CD-R compatible, Interactive pitch/search wheel with finger grip, 20 seconds Anti-shock buffer, memory skip protection, 2 seamless loops with 3 hot stutter starts, Built-in beat (BPM) counter, ± 8 or 16% pitch control, Auto-cue and digital output, Fader start, Dual-space rack mountable, Features true buffered instant start Interactive Pitch/Shift wheel with finger grip, Dual pitch ranges of ±8 and ±16%.
Numark CDN 30, Buffered instant start, Interactive pitch/search wheel with finger grips, 8/16% pitch control, Auto cue, S/PDIF digital output. Numark CDN 25 Pitch/search wheels with finger grips, ±8/16% pitch, Sleep mode, CDR compatible, Power switch protector, All-rubber buttons, Digital output.
Speaker Cabinets
Electro Voice S-152, 15" Woofer, Passive Crossover, DH2010A/DH3 compression driver 90 degree Horns. 2 way hi-mid speakers deliver 250 watts of continuous power, and can handle 1,000 watts of power.
Eminence Sub Woofer Cabinets, 15" Eminence Sub Woofer Speakers.
JBL Sugar Scoop Sub Woofer Cabinets 15" Cerwin Vega Sub Woofer Speakers.
Peavey 1-18 International Speaker Cabinets, Black Widow 18" Woofers, Passive Crossover, Horns.
Peavey DS 1502 Speaker Cabinets, Black Widow 15" Woofers, Passive Crossover, JBL Drivers Horns.
Peavey 1210TS Speaker Enclosures, 12" Woofer, 10" Woffer, 3 Piezo Tweeters (Dispersion: 90 H x 40 V). Frequency Response 75 Hz to 17 kHz, SPL: 98 dB at 1W/1m, 300 Watts Program, 8 Ohms, 16" W x 35" H x 11" D.
Yamaha 4115H Speaker Cabinets, 15" Woofer JA380-3X1, 8 ohm, HF Driver and Horn JA 420 1X1 Dispersion 70 x 40.
Yamaha S-12e Speaker Cabinets, Produces dynamic, crisp highs and it's built road-tough for years of carefree service. 2-way system features 12" LF cone with CD horn. 250/500W power handling. 16"W x 22" H x 13" D. 35 lbs.
Yamaha S-15e Speaker Cabinets, 15" Woofer Steel Basket, Tweeter (diaphragm), 1" Phenolic, Frequency Response (+/- 3dB), 60Hz ~ 14kHz, Power Handling (noise*, program, peak) (*-EIA RS-426, 125/250/500, Sensitivity 1W, 1m (approximate) 98, Dimensions (W x H x D), 19" x 26" x 15."
Peavey SP-2 Speaker Cabinets, Black Widow 15" Inch Woofer, Passive Crossovers, 90 x 40 Radial Horns, Max Power: 300W RMS (Programed), 150W RMS (34.6V RMS Continuos), Impedance: 8 OHMS, Crossover: 800 HZ, Full Range And BI Amp. Inputs.
Yamaha SW-118 Sub Woofers, 18" Woofer, 30Hz-2kHz, 600W 1200W, 96dB SPL (1W,1m), Input Connectors 1/4" phone jack.
Yamaha SW-118V Sub Woofers, 18" cast frame driver, Response down to 30Hz, 30Hz–2kHz 8Ω 300 / 600 / 1200 96dB 127 22 x 32 x 25 71.0, Efficient Bass reflex design, Integral socket for main speaker mounting.
Gollenhon 450M Radial Long Throw Horns.
Amplifiers
Apogee Power Amplifier, The CA-400 produces 480 watts per channel.
BGW 250D Monitor Power Amplifer, 1 kHz Power, 150 Watts, 4 Ohms, Less than .15% Total Harmonic distortion.
BGW Proline Model 7000 Power Amplifier.
BGW Proline II Model 8000 Power Amplifier.
JBL/Urei Power Amplifier, 6260 and 6290 JBL 6200 Series Power Amplifiers are rugged and roadworthy, and can handle highly reactive loads with ease. They are conservatively rated (per channel) as follows: W; 6260-300 W and 6290 - 600 W. Full band width, low distortion.
Mackie FR 1400i Power Amplifier, Stereo output: 800W @ 2 ohms, 450W @ 4 ohms, 310W @ 8 ohms, Mono output: 1400W @ 4 ohms, 900W @ 8 ohms, Professional stereo power amplifier with high-power / ultra low-noise design, Fast Recovery circuitry reduces distortion at the edge of clipping and beyond, Available in three distinct models: Independent defeatable Limiter protection per channel, Subsonic Filter for maximum amplifier efficiency XLR and 1/4" input connections, Binding Post output connections.
Peavey DPC 750 Power Converter, 750 Watts per Side.
QSC RMX 850, 1/4" TRS, XLR, and barrier strip balanced inputs, Binding post and Neutrik Speakon outputs, Front-mounted gain controls, Independent and defeatable clip limiters, Selectable low-frequency filters (30Hz or 50Hz), Signal and clip LED indicators, Independent DC and thermal overload protection, Variable speed fan, Stereo: 200W @ 8 ohms, Stereo: 300W @ 4 ohms, Stereo: 430W @ 2 ohms.
Stage Monitors
JBL Control SR-12, Sensitivity: 97 dB SPL, 1 W, 1 m (3.3 ft). Frequency Response ( + 4 dB): 55 Hz to 16.5 kHz, High power handling (200 W, pink noise), Components: 300 mm (12 in) Symmetrical Field Geometry (SFG) low frequency transducer 44 mm (13/4 in) pure titanium diaphragm high frequency compression driver 90” x 40” Flat-Front Bi-Radial horn.
Yamaha Club Series 112IV, Speaker Unit LF12" cone, HF 1" driver 2" driver, PGM 300 W, MAX 600 Watts.
Yamaha Club SeriesS115IV,Speaker Unit LF15" cone, HF 1" driver 2" driver, PGM 500 W, MAX 1000 Watts.
Crossovers
Ashly XR77, Stereo 3 Way Crossover, 12 dB/Octave, Balanced Inputs (May Be Used Balanced or Unbalanced).
BiAmp SM/23, Dual Gain, L. F. Level, H.F. Level, Frequency, and Range Controls. Equalizers Ashly GQ131 31 Band Graphic Equalizer BiAmp EQ 210 Two Channel Graphic Equalizer.
Furman PQ 3 Parametric Equalizer, PreAmp Rane GE 14 Two Channel Graphic Equalizer Effects.
Aphex Aural Exciter, Type C2 with Big Bottom The Aural Exciter is a patented audio process that recreates missing harmonics without generating significant changes in the actual signal level. The Aural Exciter adds harmonics, restoring the sounds natural brightness, clarity and presence, effectively improving detail and intelligibility. Big Bottom circuitry dynamically shapes the bass response in the 20Hz to 120Hz range, increasing the perception of low frequencies without boosting the maximum peak output. The bass frequency response is dynamically optimized to isolate and enhance the lowest bass frequencies to provide a deeper and more resonant bass without overloading the sound system. Using the patented Big Bottom tightens the bass, allowing individual notes to be more articulated and recognizable.
BBE 462 Sonic Maximizer, 2 channels of process for stereo or separate mono mixes, 5 segment LED output meters, +18dBu headroom, RCA and1/4" inputs and outputs, Hardwire bypass Bypass switch for comparison of processed to unprocessed signal. Frequency Response, Process Mode: Program controlled, Bypass Mode: 10Hz to 50kHz, +/- 0.5dBu, 10dBu input, Signal to Noise Ratio: 112dB Process IN THD, Process mode: less than 0.025% at 20-20kHz, Bypass mode: less than 0.002% at 20-20kHz Maximum Output: +18dBu (may vary due to control settings), Input Impedance: 47K Ohms, unbalanced 1/4" phone jack or RCA jack. Output Impedance: 1K Ohms, unbalanced 1/4" phone jack or RCA jack. Sensitivity: -45dBu for maximum process. Maximum Process: +12dBu boost at 5kHz, -10dBu input Lo Contour: +12dBu adjustment at 50Hz, -10dBu input.
BBE 882 Sonic Maximizer, Features:+4dBu balanced line (1/4" tip-ring-sleeve and XLR inputs and outputs) +23dBu headroom, Active balanced outputs, Hardwire bypass, Bypass switch for comparison of processed to unprocessed signal, Specifications: Frequency Response, Process Mode: Program controlled, Bypass Mode: 10Hz to 50kHz, +/- 0.5dBu, 0dBu input, Signal to Noise Ratio: 115dB Process IN THD, Process mode: less than 0.025% 20-20kHz Bypass mode: less than 0.002% 20-20kHz Maximum Output: +23dBu (may vary due to control settings), Input Impedance: 14.7K Ohms, balanced 1/4" stereo phone jack or XLR jack. Pin #2 is the hot or "+" signal. Output Impedance: 600 Ohms, balanced 1/4" stereo phone jack or XLR jack. Pin #2 is the hot or "+" signal. Sensitivity: -45dBu for maximum process Maximum Process: +12dBu boost at 5kHz, 0dBu input Lo Contour: +12dBu adjustment at 50Hz, 0dBu input. Behringer Virtualizer DSP 1204P
The Behringer DSP2024P Virtualizer Pro, offers 71 breathtaking new algorithms, most in true stereo. Wave-adaptive Virtual Room reverb; awesome modulation; dynamic, psychoacoustic, and EQ algorithms; plus innovative amp simulation, distortion, and special effects make this a mind-blowing effects processor never before seen in this price range. 11 effect combinations with selectable serial/parallel configuration and up to 7 adjustable parameters plus 2-band EQ per effect provide precision control. 24-bit A/D/A converters with 64/128X oversampling, true stereo processing, and 24-bit internal processing offer studio-quality sound.
DigiTech Studio Quad, Effects Processor The Quad 4 features 4 completely independent inputs and outputs so you can use it as 4 independent mono processors or 2 true stereo processors. Imagine having the ability to have 4 different reverbs, each tailored specifically to vocals, guitar, keyboard, and drums. Features include a large custom display, ingenious user interface, and potent S-DISC II processing. Also has automatic input leveling, dynamic parameter modifiers, full MIDI implementation, multifunction effects modules, and full bandwidth effects, including such new effects as Reverse Delay, Time Warp, Vocoder, and Spring Reverb.
Lexicon LPX-5, Effects Processing Module The LXP-5 offers a rich and distinctive palette of special effects, including 128 programs to get you started, 64 preset effects programs and an additional 64 programs stored in RAM user memory locations. Each program has up to five variable parameters that you can adjust for subtle or dramatic changes in the program’s sound, and you can store as many as 128 customized programs in user memory. All of the LXP-5 functions are accessible from the front panel, or via MIDI, providing truly world-class flexibility and control. From pitch shifting to stereo delays and flanging, the LXP-5 delivers superior performance. Whether you are a producer, engineer, or musician.
Lexicon MPX 100, Dual Channel Processor The MPX 100 is a true stereo dual-channel processor with 24-bit internal processing, 20-bit A/DD/ A and S/PDIF digital output. Powered by a new version of Lexicon’s proprietary Lexichip,™ the MPX 100 has 240 presets with classic, true stereo reverb programs such as Ambience, Plate, Chamber and Inverse, as well as Tremolo, Rotary, Chorus, Flange, Pitch, Detune, 5.7 second Delay and Echo. Dual channel processing gives you completely independent effects on the left and right channels.
Microphones, Shure SM58, Shure 588SD, Shure SM57, Shure 5155D Unidyne, Shure Prologue 17L Condenser, EV BK-1, Sennheiser MD 518, Atlas Microphone Stands.
Misc. ProCo 50 Foot Stage Snake 16/4, Live Direct Boxes, On-Stage Speaker Stands |
